The processing of photographs presents a unique set of problems at the BnF, given the quantity and range of its collections and the diversity of its tasks. At the same time some of the issues – the role of photographs, their use, the specifics of description, large-scale accessibility – are also relevant to other institutions. Faced with these questions, various directors and curators of the former Prints Department developed or adapted methodological and technical approaches aimed at making cataloguing more efficient and the images more accessible. Standardisation, automation and dematerialisation have since eased the professional burden, but these successive phases have in turn impinged on processing policies by raising new questions and priorities. Reviving rather than resolving issues relating to the particularities, plurality and materiality of the collections, they brought – and continue to bring – ongoing adjustments necessitated by changing apprehensions of photography.
Since 2003, paleographic archivist Dominique Versavel has been curator of the modern photography and press collection at the BnF’s Department of Prints and Photography. In 2014 she was appointed head of the photography division. She has contributed to the curating and the catalogues of the exhibitions Objets dans l’objectif (2005), Sebastião Salgado. Territoires et vies (2005–2006), La Photographie humaniste. Autour d’Izis, Boubat, Brassaï, Doisneau, Ronis (2006), La Presse à la Une (2012), Alix Cléo Roubaud (2014) and Icônes de Mai 68. Les images ont une histoire (2018).
Keywords: Bibliothèque Nationale de France, Prints Department, photography, processing, reproduction